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Biografier.

PITT, MOSES.

Död 1696.
Engelsk förläggare och kartograf. 1668 etablerade han sig som förläggare. 1680 påbörjade han utgivningen av ett stort atlasverk, 'English Atlas' efter mönster av de holländska kartverken, först och främst Janssonius (se denne), vars arvingar han arbetat tillsammans med. Pitt blev emellertid ruinerad efter att de 4 första banden utkommit och verket blev aldrig slutfört. Pitt själv blev satt i häkte under en tid och skrev sedan en uppseendeväckande bok om förhållandena där, 'The Cry of the Oppressed' (1691).

Bland arbeten.
English Atlas.
'The Cry of the Oppressed.


Dict. nat. biogr.

ROBIJN, JACOBUS.

Född ca. 1649.
Holländsk bok-, konst- och karthandlare. Han fick borgerskap i Amsterdam 1674. Tillsammans med Johannes van Keulen (se denne) gav han 1679 ut 26 stycken nya sjökort. 1683 lät han ge ut 'Zee Atlas' med 20 kartor och 1689 en större engelsk utgåva, 'The new enlarged Lightning Sea Column' med 137 kartor. En stor del av dessa var tidigare arbeten av Theunis Jacobsz och Jacob Theunisz (se denne). Robijn omnämns sista gången 1707.

About 1675, shortly before the van Keulen publishing business was set up in Amsterdam, Robijn practised there as a map 'illuminator' and chart seller. After a short association with Johannes van Keulen he acquired publishing rights covering the Zee-Spiegel and Zee Atlas from the widow of Pieter Goos and used the plates to produce his own pilot book and sea atlas. Apart from a small number of plates prepared to his own order, most of Robijn's work cannot be said to be original: he issued Goos's charts and those of Roggeveen with a variety of texts by J. and C. Jacobsz (Lootsman), Ar...
Bland arbeten.
Zee Atlas.
The new enlarged Lightning Sea Column.

STELLA [STOLZ, STOLTZ, SIGENIS], TIELEMANO.

1527-1589, d. Wittenberg.
His maps used by Ortelius, de Jode, Hondius, Blaeu.

Bland arbeten.
Totius Germaniae 1546.
Maps for Bible 1552-7.
Jerusalem 1557.
Revised Münster's Germany 1560.


Tooley.


Gulddistriktet Klondike - ca 1897.


'Porkkalanselkä, Porkkalafjärd - Kytö' - Finland 1934.

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HILL, JOHN WILLIAM

Biografiska uppgifter:(1812–1879) was a British born American artist working in watercolor, gouache, lithography, and engraving.
Hill's work focussed primarily upon natural subjects including landscapes, still lifes, and ornithological and zoological subjects. In the 1850s, influenced by John Ruskin and Hill's association with American followers of the Pre-Raphaelite Brotherhood, his attention turned from technical illustration toward still life and landscape.

Hill was the son of British aquatint engraver John Hill. He emigrated with his parents from London to the United States in 1819, initially living in Philadelphia. In 1822 the family moved to New York, where Hill apprenticed in aquatint engraving in his father's shop.

In 1838 Hill married Catherine Smith - their children included the astronomer George William Hill and the painter John Henry Hill.

In watercolor and aquatint engravings, Hill employed a stipple technique, building up planes of softly gradated colors made of tiny brushstrokes–a process commonly seen in painted miniatures. Applied to a larger scale on canvas the result was a form of objective realism in contrast with more common romanticized works of mid-19th century American painting. In 1829, at the age of 17, Hill began exhibiting watercolors and engravings produced in his father's studio at the Brooklyn Art Association and the National Academy of Design. In 1833, at the age of 21, Hill was elected to associate membership in the National Academy of Design.

In his early 20s Hill began work for the New York State Geological Survey, first creating a series of topographic studies and overhead views of principle American cities and towns. This work was distinct for its accuracy of arial perspective and recording minute architectural detail. These portraits of urban settlement required frequent travel to observe, sketch, and map before creating finished watercolor studies. The completed watercolors were then recreated as color lithographic art and published by the Smith Brothers, a New York City publisher.

Hill's work with the New York State Geological Survey continued later with his illustration of James Ellsworth De Kay's Zoology of New York State, or; The New-York Fauna. Part II, Birds published in 1844. Like John James Audubon's bird portraits, Hill's were painted with an objective eye, documenting accurate anatomy and colors, and capturing the animal's natural countenance.

While in his early 40s Hill read John Ruskin's Modern Painters, and became fascinated with the Pre-Raphaelite Brotherhood. The Pre-Raphaelite movement's combination of realism with increased emotional content appealed to Hill. Hill championed Pre-Raphaelite painting methods in the United States, but was less fascinated with their ideals. in 1863, with art critic Clarence Cook, geologist Clarence King, and architect Russell Sturgis, Hill helped to found the Society for the Advancement of Truth in Art. For the remainder of Hill's life he focussed upon landscapes, mostly of the mountainous areas of New England and New York state. Hill's paintings and engravings are found in the collections of the Brooklyn Museum, the Amon Carter Museum, Fogg Museum, the Hood Museum of Art, and the Metropolitan Museum of Art.

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