VÖBAM - Din källa till den äldre bild- och kartvärlden. - Regeringsgatan 77, Mån-Fre 12-18, 08-102121.


In 1612, married one of cartographer Jodocus Hondius's daughters and began working as a publisher in Amsterdam. From 1616 until his death, Janssonius published numerous maps of various parts of Europe. From the 1630s, he worked in partnership with his brother-in-law Henricus Hondius.

Sveriges sjökartor – A. Hedin.


Nämnda som portugisiska kartografer (1519). Utförde karta över Brasilien till Miller's atlas, karta över Atlanten samt flera länder.



Mechelen June 29, 1517 – Leyden March 10, 1585
Rembert Dodoens was a Flemish physician and botanist, also known under his Latinized name Rembertus Dodonaeus. In 1530 he started his studies of medicine, cosmography and geography at the University of Louvain, where he graduated in 1535. He established himself as a physician in Mechelen in 1538. He married Kathelijne De Bruyn(e) in 1539. He had a short stay in Basel (1542-1546). He turned down a chair at the University of Louvain in 1557. He equally turned down an offer to become court physician of emperor Philip II of Spain. He became the court physician of the Austrian emperor Rudolph II in Vienna (1575-1578). He then became professor in medicine at the University of Leiden in 1582. Dodoens' herbal Cruydeboeck with 715 images (1554) was influenced by that of Leonhart Fuchs. He divided the plant kingdom in six groups. It treated in detail especially the medicinal herbs, which made this work, in the eyes of many, a pharmacopoeia. It was translated first into French in 1557 by Charles de L'Ecluse ('Histoire d
Bland arbeten.
Herbarium (1533) Den Nieuwen Herbarius (1543) Cosmographica in astronomiam et geographiam isagoge (1548) De frugum historia (1552) Trium priorum de stirpium historia commentariorum imagines (1553) Posteriorum trium de stirpium historia commentariorum imagines (1554) Cruydeboeck (1554) Physiologices medicinae tabulae (1580) Medicinalium observationum exempla rara (1581) Stirpium historiae pemptades sex (1583) Praxis medica (1616) (posthumous) Ars medica, ofte ghenees-kunst (1624) (posthumous)

Vägvisare för XI Olympiaden i Berlin - 1936

Värmdö skeppslag (med Vaxholm). Kartlagt 1902.

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Biografiska uppgifter:(1812–1879) was a British born American artist working in watercolor, gouache, lithography, and engraving.
Hill's work focussed primarily upon natural subjects including landscapes, still lifes, and ornithological and zoological subjects. In the 1850s, influenced by John Ruskin and Hill's association with American followers of the Pre-Raphaelite Brotherhood, his attention turned from technical illustration toward still life and landscape. Hill was the son of British aquatint engraver John Hill. He emigrated with his parents from London to the United States in 1819, initially living in Philadelphia. In 1822 the family moved to New York, where Hill apprenticed in aquatint engraving in his father's shop. In 1838 Hill married Catherine Smith - their children included the astronomer George William Hill and the painter John Henry Hill. In watercolor and aquatint engravings, Hill employed a stipple technique, building up planes of softly gradated colors made of tiny brushstrokes–a process commonly seen in painted miniatures. Applied to a larger scale on canvas the result was a form of objective realism in contrast with more common romanticized works of mid-19th century American painting. In 1829, at the age of 17, Hill began exhibiting watercolors and engravings produced in his father's studio at the Brooklyn Art Association and the National Academy of Design. In 1833, at the age of 21, Hill was elected to associate membership in the National Academy of Design. In his early 20s Hill began work for the New York State Geological Survey, first creating a series of topographic studies and overhead views of principle American cities and towns. This work was distinct for its accuracy of arial perspective and recording minute architectural detail. These portraits of urban settlement required frequent travel to observe, sketch, and map before creating finished watercolor studies. The completed watercolors were then recreated as color lithographic art and published by the Smith Brothers, a New York City publisher. Hill's work with the New York State Geological Survey continued later with his illustration of James Ellsworth De Kay's Zoology of New York State, or; The New-York Fauna. Part II, Birds published in 1844. Like John James Audubon's bird portraits, Hill's were painted with an objective eye, documenting accurate anatomy and colors, and capturing the animal's natural countenance. While in his early 40s Hill read John Ruskin's Modern Painters, and became fascinated with the Pre-Raphaelite Brotherhood. The Pre-Raphaelite movement's combination of realism with increased emotional content appealed to Hill. Hill championed Pre-Raphaelite painting methods in the United States, but was less fascinated with their ideals. in 1863, with art critic Clarence Cook, geologist Clarence King, and architect Russell Sturgis, Hill helped to found the Society for the Advancement of Truth in Art. For the remainder of Hill's life he focussed upon landscapes, mostly of the mountainous areas of New England and New York state. Hill's paintings and engravings are found in the collections of the Brooklyn Museum, the Amon Carter Museum, Fogg Museum, the Hood Museum of Art, and the Metropolitan Museum of Art.

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