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Biografier.

HILL, JOHN WILLIAM

(1812–1879) was a British born American artist working in watercolor, gouache, lithography, and engraving.
Hill's work focussed primarily upon natural subjects including landscapes, still lifes, and ornithological and zoological subjects. In the 1850s, influenced by John Ruskin and Hill's association with American followers of the Pre-Raphaelite Brotherhood, his attention turned from technical illustration toward still life and landscape.

Hill was the son of British aquatint engraver John Hill. He emigrated with his parents from London to the United States in 1819, initially living in Philadelphia. In 1822 the family moved to New York, where Hill apprenticed in aquatint engraving in his father's shop.

In 1838 Hill married Catherine Smith - their children included the astronomer George William Hill and the painter John Henry Hill.

In watercolor and aquatint engravings, Hill employed a stipple technique, building up planes of softly gradated colors made of tiny brushstrokes–a process commonly seen in painted miniatures. Applied to a larger scale on canvas the result was a form of objective real
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HATON, CLAUDE.

Död efter 1727.
Fransk kopparstickare, elev av Ch. Simonneau, inkallades till Sverige av N. Tessin för att gravera ritningarna till Stockholms slott, vilka stuckos 1703-1712 i betydande format.

Kopparstickare.(Födelse- och dödsår okända).
Född fransman och elev af Ch. Simonneau, inkallades af N. Tessin för att gravera ritningarna till Stockholms nya slott. Dessa blad af mycket stort format begynte han utföra omkr. 1703, och omkr. 1712 voro de fulländade. H. underhölls i Stockholm h. o. h. [helt och hållet] på Tessins bekostnad, så länge detta arbete varade. 1711-27 utförde H. dessutom en och annan boktitel samt åtskilliga tämligen groft graverade porträtt. Som konstnärlig gravör är han af underordnad betydelse.

Efter inventeringen av koppargravyrerna till Suecia Antiqua et Hodierna 1725 inför första upplagans inbindning så kallades bl. a. Haton att retuschera och laga de plåtar som skadats sedan de graverats (i vissa fall över 50 år tidigare). Haton är inte nämnd såsom gravör på någon av plåtarna.


Sv Uppsl. bok 2:a uppl. bd 12 1949 s. 1.166. (Nordisk familjebok, andra upplagan) B.L.


CAMPANIUS.


Se HOLM, THOMAS CAMPANIUS.



Ingermanlandiae – Homanns Erben 1734



Jordrök, Fumaria officinalis - Lindman, C. A. M, Bilder ur Nordens Flora 1917-26.


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Dankerts, Cornelis the elder.

Biografiska uppgifter:1603-56
JUSTUS DANKERTS (son) 1635-1701
The Dankerts family, of whom the above were the most important, was very large and ramifying having had a lot of members who were active in engraving on an artistic level. In this short view, however, we are dealing mainly with those who took part in the atlas production.
The family’s roots can be traced back to Cornelis Danckerts (1536-1595), a carpenter in Amsterdam. From his marriage with Lijsbet Cornelisdr two sons are known: Cornelis Danckerts de Rij (1561-1634) and Danckert Cornelisz (ca. 1580-1625). Cornelis and his descendants called themselves Danckerts de Rij. Danckerts Cornelisz who is at the root of the line we are now interested in was first a skipper then a stone merchant. He married Lijstbeth Jansdr, shortly after the turn of the century. Several members of his branch were well-known engravers-etchers, mapmakers and printsellers (Keuning, 1955). Danckert Cornelisz had two sons: Cornelis Danckerts (1603-1656) and Dancker Danckerts (1614-?).
Cornelis the elder brother established himself as an engraver, map- and artprint producer, printer and publisher in Amsterdam in the early 1630s. His shop was flourishing under his, the father’s and his sons’ and grandsons’ direction in the second half of the 17th century as far as 1717 when the grandson Cornelis died. (Hereafter for distinguishing Cornelis the firm’s founder and Cornelis, the grandson, Cornelis (I) and Cornelis (II) will be used, respectively.) Cornelis (I) was an eminent engraver producing a number of single-sheet maps and wall maps. Besides his own publications, he was working for reknown personalities of the time such as the famous John Speed (1552-1629), historian and mapmaker, ”the father of the English atlases” or for Petrus Bertius (1565-1629), the illustrious geography professor at Leiden University (Tooley, 1979).
At Cornelis (I)’ death (1656), the elder son, Dancker (1634-1666) took the shop over then at his early passing the younger brother Justus (1635-1701) who had been a stone merchant succeded his brother in direction of the firm. (As distinguishing marks (I) will be used at Justus, the father’s name and (II) at the son’s.) The Danckerts family’s map producing and -publishing office had its apogee at the time of Justus (I) and of his three sons Theodorus (I) (1663-1727), Cornelis (II) (1664-1717) and Justus (II) (?-1692).
Between 1669-1701 their shop was run in the ”Calverstraet in the Danckbaerheyt” (Danckbaerheyt=Thankfulness). Cornelis (II) married Geertrui Magnus, the daughter of a famous contemporary Amsterdam bookbinder, Albert Magnus and moved into the house of Magnus’ widow on the ”Nieuwendijk in de Atlas”. (Albert Magnus had died some years before.) Thus after 1696 two print shops of the Danckerts were being run in Amsterdam and from that time onwards on different publications, also on maps and on atlas’ title- and index-pages, Cornelis (II) used this new address.
The Danckerts’s firm’s closing down was gradually taking place. The first harder breaking could be caused by the general depression in 1713 when Justus (I)’ heirs decided to sell a part of the map and atlas stock with lots of copperplates. The final, full stopping occured at the time of the last surviving brother, Theodorus (I) in 1727 when the remaining estate was also sold. The copperplates of the maps were bought by Reiner and Josua Ottens, first-rate Amsterdam map- and atlas publishers in the first part of the 18th century. Following the general custom of the time, the Ottens erased the Danckerts names and addresses replacing them with their own

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