Nuremberg 1671.
An acclaimed astronomer, was born in Nuremburg in 1671. He was a member of the Royal Society of London and the Academies of Berlin, Vienna and St. Petersburg. He visited astronomers in many countries, and hence in addition to the star charts and selenographic map, the atlas includes “diagrams illustrating the planetary system of Copernicus, Tycho and Riccioli; the ecliptic theories of Kepler, Boulliau, Seth Ward and Mercator; the lunar theories of Tycho, Horrocks and Newton, and Halley’s cometary theory” (DSB).
Bland arbeten.
Atlas novus Coelestis. Nuremberg: Homann’s Heirs, 1742.
First edition, folio (560 x 390mm), engraved allegorical additional titles (plain), title printed in red and black with engraved vignette, engraved index listing 30 subjects and 30 double-page engraved celestial charts and diagrams, some incorporating miniature world maps or spandrel illustrations of astronomical observatories, in contemporary hand colour and wash.
Doppelmayr, an acclaimed astronomer, was born in Nuremberg in 1671. He was a member of the Royal Society of London and the Academies of Berlin, Vienna and St. Petersburg.
It is not surprising that Dopplemayr collaborated with Germany’s leading map publisher Johann Baptist Homann on both the terrestrial and celestial maps included in this atlas. He visited astronomers in many countries and hence in addition to the star charts and selenographic map, the atlas includes “diagrams illustrating the planetary system of Copernicus, Tycho, and Riccilio; the ecliptic theories of Kepler, Bouliaeu, Seth Ward and Mercator; the lunar theories of Tycho, Horrocks and Newton, and Halley’s cometary theory” (DSB IV, p. 166).
Sotheby's
Ca. 1700.
Holländsk skeppare och kartritare. Inga upplysningar hittade.
Was the most important member of an Augsburg family of artists and publishers. He was the German representative of the 'Vue d'Optique' , a genre of copper engravings showing in the size of this here shown print the architectural 'wonders of the world' to people mainly during fairs. The prints were pushed into a view box and the viewers, one at a time, could look through a lens to see the prints inserted into the box by the operator, for money, of course. There were French, Italian, Spanish, publishers of Vue d'Optique prints. But the most famous and the most true to facts ones came from the Augsburg workshop of G.B. Probst. He produced ca. 400 of them, not only views of places, but also a variety of other subject matters. While most prints of this genre were loudly and heavily colored, a small series was left black and white, truly showing their artistic value beyond the fulfilment of curiosity at fairs.
Gulddistriktet Klondike - ca 1897.
Stormhatt - C. H. Tersmeden ca 1900.
