SÖK KARTOGRAFER, GRAVÖRER M.FL.

SAYER, ROBERT.

1725-94.
Engelsk konsthandlare och kartförläggare. Han gav bl.a. ut 'Atlas Britanniquee' (1766), 'English Atlas' (1787) samt en atlas med 41 kartor tryckta under åren 1757-94. Förutom kartorna känner man till en rad koppartryck som har hans namn och adress men däremot inga som han själv utfört.
Sayer hade sin affär på No. 53 Fleet Street i London.

Bland arbeten.
Atlas Britanniquee.
English Atlas.
The Seven United Provinces, with Their Roads and Divisions.

Phillips. - Thieme-Becker.

Cellarius, Andreas.

(c. 1596, Neuhausen, – 1665, Hoorn)
Cellarius was a Dutch-German cartographer, best known for his Harmonia Macrocosmica of 1660, a major star atlas, published by Johannes Janssonius in Amsterdam.
He was born in Neuhausen (now a part of Worms), and was educated in Heidelberg. The Protestant Cellarius may have left Heidelberg at the onset of the Thirty Years' War in 1618 or in 1622 when the city came in Catholic hands. His activities are unclear at this time but based on his later works it is conjectured he spent time in Poland and may have even worked as a military engineer there. In 1625 he married Catharina Elt(e)mans in Amsterdam, where he worked as school master of a Latin School. After a brief stay in The Hague, the family moved to Hoorn. From 1637 until his death he was rector of the Latin School in Hoorn, where Pieter Anthoniszoon Overtwater was conrector.
He published on fortification and on Poland.
The minor planet 12618 Cellarius is named in his honour.

Andreas Cellarius

The Dutch-German mathematician and cosmogr...
Bland arbeten.
Harmonia macrocosmica sea atlas universalis et novus. Amsterdam: G. Valck and P. schenk, 1708.
Folio (530 x 320mm), allegorical title engraved by F. H. van Hoven, printed in red and black with woodcut vignette, letterpress title with contents and 29 double-page engraved cosmographical charts finely coloured by hand, without text.
One of the most fascinating achievement from the golden age of Dutch cartography. The Harmonia macrocosmica is the only atlas of the period dealing with astronomy.
Unlike the late celestial atlases, the Cellarius charts demonstrated various ancient and contemporary cosmological ideas, rather than just the names and positions of the stars. The purpose of the book was to assess different attempts to discover the underlying harmony of the universe. The charts represent the highest levels of seventeenth-century astronomical thought, with the diagram showing aspects of the three great theories on the nature of the universe; the Ptolemaic, the Copernican and the Brahean.

HAMMERSVELDT, EVERARD[EVERT] SYMONSZ van.

1591-1653.
Engraver Amsterdam. For Hondius and Jansson 1628-1658, for 1633 edition Mercator-Hondius, for Speed's Prospect 1627, for Blaeu 1631, for le Clerc 1619, for Jod. Hondius. II (ca. 1625).

Tooley.

Stockholm - Mentzer ca 1860.

Moldavien - Schenk ca 1770-tal.

HILL, JOHN WILLIAM

Biografiska uppgifter:(1812–1879) was a British born American artist working in watercolor, gouache, lithography, and engraving.
Hill's work focussed primarily upon natural subjects including landscapes, still lifes, and ornithological and zoological subjects. In the 1850s, influenced by John Ruskin and Hill's association with American followers of the Pre-Raphaelite Brotherhood, his attention turned from technical illustration toward still life and landscape.

Hill was the son of British aquatint engraver John Hill. He emigrated with his parents from London to the United States in 1819, initially living in Philadelphia. In 1822 the family moved to New York, where Hill apprenticed in aquatint engraving in his father's shop.

In 1838 Hill married Catherine Smith - their children included the astronomer George William Hill and the painter John Henry Hill.

In watercolor and aquatint engravings, Hill employed a stipple technique, building up planes of softly gradated colors made of tiny brushstrokes–a process commonly seen in painted miniatures. Applied to a larger scale on canvas the result was a form of objective realism in contrast with more common romanticized works of mid-19th century American painting. In 1829, at the age of 17, Hill began exhibiting watercolors and engravings produced in his father's studio at the Brooklyn Art Association and the National Academy of Design. In 1833, at the age of 21, Hill was elected to associate membership in the National Academy of Design.

In his early 20s Hill began work for the New York State Geological Survey, first creating a series of topographic studies and overhead views of principle American cities and towns. This work was distinct for its accuracy of arial perspective and recording minute architectural detail. These portraits of urban settlement required frequent travel to observe, sketch, and map before creating finished watercolor studies. The completed watercolors were then recreated as color lithographic art and published by the Smith Brothers, a New York City publisher.

Hill's work with the New York State Geological Survey continued later with his illustration of James Ellsworth De Kay's Zoology of New York State, or; The New-York Fauna. Part II, Birds published in 1844. Like John James Audubon's bird portraits, Hill's were painted with an objective eye, documenting accurate anatomy and colors, and capturing the animal's natural countenance.

While in his early 40s Hill read John Ruskin's Modern Painters, and became fascinated with the Pre-Raphaelite Brotherhood. The Pre-Raphaelite movement's combination of realism with increased emotional content appealed to Hill. Hill championed Pre-Raphaelite painting methods in the United States, but was less fascinated with their ideals. in 1863, with art critic Clarence Cook, geologist Clarence King, and architect Russell Sturgis, Hill helped to found the Society for the Advancement of Truth in Art. For the remainder of Hill's life he focussed upon landscapes, mostly of the mountainous areas of New England and New York state. Hill's paintings and engravings are found in the collections of the Brooklyn Museum, the Amon Carter Museum, Fogg Museum, the Hood Museum of Art, and the Metropolitan Museum of Art.

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