SÖK KARTOGRAFER, GRAVÖRER M.FL.

MALLET, ALAIN MANESSON.

1630-1706. Född och död i Paris.
Fransk ingenjör. Efter en tids verksamhet som militäringenjör hos kungen av Portugal återvände han till Paris och blev matematiklärare åt Ludvig XIV:s pager. 1671 utgav han ett militärtekniskt verk, 'Les travaux de Mars, ou l'art de la guerre'. Ett geografiskt verk i 5 band med en mängd kartor och planer, 'Description de l'Univers, contenant les différens systemes du Monde' utkom 1683 och i nyutgåva 1685. 1702 lät han utge 'La Géométrie pratique' i 4 band.

Description de L'Universe
His Description de L'Universe contains a wide variety of information, including star maps, maps of the ancient and modern world, and a synopsis of the customs, religion and government of the many nations included in his text. It has been suggested that his background as a teacher led to his being concerned with entertaining his readers. This concern manifested itself in the charming harbor scenes and rural landscapes that he included beneath his description of astronomical concepts and diagrams. Mallet himself drew most ...
Bland arbeten.
Les travaux de Mars, ou l'art de la guerre.
Description de l'Univers, contenant les différens systemes du Monde.
La Géométrie pratique.

Nouv. biogr. gen.

MERCATOR, GERARD (Gerard de Cremere el. Kremer).

5/3 1512- 2/12 1594. Född i Rupelmonde i Flandern, död i Duisburg.
Belgisk-tysk geograf. Från 1530 studerade han vid universitetet i Leuven under astronomen och kartografen Gemma-Frisius (se denne), och var dennes assistent under arbetet med hans jordglob. Hans första självständiga arbete, en Palestinakarta från 1537, finns det idag bara en känd kopia av. Lika sällsynta är flera av hans andra tidigaste arbeten. År 1541 konstruerade han en jordglob över jordklotet och en himmelsglob, båda på uppdrag av kejsare Karl V. År 1552 slog han sig ned i Duisburg där han sedan fortsatte sin verksamhet. 1569 gav han ut en liten bok om kronologi och samma år kom hans framstående världskarta. 1578 gav han ut Ptolemaeus geografi, kompletterad med sina egna kartor. Detta verk kom i 7 nyutgåvor, den senaste 1794. Mercator är ansedd som den mest betydelsefulla geografen sedan Ptolemaeus. Hans främsta verk, 'Atlas, sive cosmographicae meditationes de fabrica mundi' utkom första gången 1585 och slutfördes 1595, en kort tid efter hans död. Detta arbete var epokavgörande och kom fram till 1642 ut...
Bland arbeten.
Atlas, sive cosmographicae meditationes de fabrica mundi.

(Averdunk. - Bagrow. - Nederl. biogr. X.)

PROBST.

Stor familj av konstnärer och tryckare verksamma i Augsburg.
Johann Balthasar Probst 1504 - 1570.
Georg Balthasar Probst 1673 - 1748.
Johann Friedrich Probst 1719 - 1781.
Jean Michel Probst 28/8 1721 - 1/8 1771.
Georg Balthasar Probst 1732 - 1801.
Johann Michael Probst d.y. 1757 - 1809.

Stockholm - Mentzer ca 1860.

'Karta öfver Kusten af Westerbotten ifrån Bjuröklubb till Malören och Kalix.' - Klint 1833.

HILL, JOHN WILLIAM

Biografiska uppgifter:(1812–1879) was a British born American artist working in watercolor, gouache, lithography, and engraving.
Hill's work focussed primarily upon natural subjects including landscapes, still lifes, and ornithological and zoological subjects. In the 1850s, influenced by John Ruskin and Hill's association with American followers of the Pre-Raphaelite Brotherhood, his attention turned from technical illustration toward still life and landscape.

Hill was the son of British aquatint engraver John Hill. He emigrated with his parents from London to the United States in 1819, initially living in Philadelphia. In 1822 the family moved to New York, where Hill apprenticed in aquatint engraving in his father's shop.

In 1838 Hill married Catherine Smith - their children included the astronomer George William Hill and the painter John Henry Hill.

In watercolor and aquatint engravings, Hill employed a stipple technique, building up planes of softly gradated colors made of tiny brushstrokes–a process commonly seen in painted miniatures. Applied to a larger scale on canvas the result was a form of objective realism in contrast with more common romanticized works of mid-19th century American painting. In 1829, at the age of 17, Hill began exhibiting watercolors and engravings produced in his father's studio at the Brooklyn Art Association and the National Academy of Design. In 1833, at the age of 21, Hill was elected to associate membership in the National Academy of Design.

In his early 20s Hill began work for the New York State Geological Survey, first creating a series of topographic studies and overhead views of principle American cities and towns. This work was distinct for its accuracy of arial perspective and recording minute architectural detail. These portraits of urban settlement required frequent travel to observe, sketch, and map before creating finished watercolor studies. The completed watercolors were then recreated as color lithographic art and published by the Smith Brothers, a New York City publisher.

Hill's work with the New York State Geological Survey continued later with his illustration of James Ellsworth De Kay's Zoology of New York State, or; The New-York Fauna. Part II, Birds published in 1844. Like John James Audubon's bird portraits, Hill's were painted with an objective eye, documenting accurate anatomy and colors, and capturing the animal's natural countenance.

While in his early 40s Hill read John Ruskin's Modern Painters, and became fascinated with the Pre-Raphaelite Brotherhood. The Pre-Raphaelite movement's combination of realism with increased emotional content appealed to Hill. Hill championed Pre-Raphaelite painting methods in the United States, but was less fascinated with their ideals. in 1863, with art critic Clarence Cook, geologist Clarence King, and architect Russell Sturgis, Hill helped to found the Society for the Advancement of Truth in Art. For the remainder of Hill's life he focussed upon landscapes, mostly of the mountainous areas of New England and New York state. Hill's paintings and engravings are found in the collections of the Brooklyn Museum, the Amon Carter Museum, Fogg Museum, the Hood Museum of Art, and the Metropolitan Museum of Art.

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