VÖBAM - Din källa till den äldre bild- och kartvärlden. - Tel: 08-102121 - Epost: info@vobam.se
Biografier.

ERATOSTHENES, (grek. Eratosthen'es),


Grekisk astronom (276-194 f.Kr.), född i Cyrene, av Ptolemaios III Euergetes kallad till bibliotekarie vid museet i Alexandria. E. utförde den första vetenskapliga bestämningen av jordens storlek. I Syene i Afrika kastade en gnomon vid sommarsolståndet icke någon skugga, då däremot vid samma tid solen i Alexandria var 7,2 grader (=360:50 grader) från zenit. Då avståndet mellan Syene och Alexandria enl. E. var 5.000 stadier, så följer, att jordens omkrets är = 50x5.000 = 250.000 stadier. Värdet på E:s stadie är ej säkert bekant, men följer man Plinius' uppgifter, är en stadie = 157,5 m, och i så afll blir alltså jordens omkrets = 39.375.000 m, nära överensstämmande med senare mätningar (40.000.000 m), en överensstämmelse, som dock kan betraktas som helt och hållet tillfällig.
Eratosthenes framställde även en världskarta.


Svensk uppslagsbok, 1948.

VIETH, G. U. A.


Gjorde de tolv kartorna till 'Atlas du Monde Ancien' vilken gavs ut i Weimar år 1800 av C. Ph. Funke.

Bland arbeten.
Atlas du Monde Ancien.

MELLIN, LUDVIG AUGUST von.

1754-1835.
Greve. Gjorde en världskarta 1773, blev major 1783. Vistades en period i St Petersburg. Gav ut en atlas över Livland, 'Liivimaa atlasest', 1798-1810 bestående av 14 kartor. Kartorna över Tallinn förstördes då Paldiski län och Tallinn län styrdes av en och samma guvernör under åren 1783-1796, efter 1796 så återskapades Harju län.

Sündis Tuhala mõisas, teenis Vene armees, osales aktiivselt balti poliitikas, avaldas arvukalt kirjutisi ajaloost, geograafiast, põllumajandusest jm. Laiemalt ja tänaseni tuntuks sai ta aga kartograafina. 1773. a sai Mellin kindralstaabi teenistusse Peterburis, osales mitmel sõjakäigul kuni läks majoriaukraadis 1783. a erru. Nüüd sai temast poliitikategelane - Liivimaa ülemkonsistooriumi direktor ja president, Liivimaa maanõunik jne. Muude tegemiste juures sai krahv Mellini suurtööks informatsioonirohke jääva väärtusega 'Liivimaa atlas' (ilmus 1798-1810), mis koosneb üld- ja 14. kreisikaardist. Atlasesse kuulus ka siin eksponeeritud Tallinna kreisi kaart. Tallinna ja Paldiski k...
Bland arbeten.
Liivimaa atlasest.


Vägvisare för XI Olympiaden i Berlin - 1936


'Åtvidaberg.' - Gustaf Pabst 1870-1879.

Sök efter biografi:

Du sökte på: 10484

Klicka på valfri bokstav för att återgå till hela listan.  

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Å  Ä  Ö

HILL, JOHN WILLIAM

Biografiska uppgifter:(1812–1879) was a British born American artist working in watercolor, gouache, lithography, and engraving.
Hill's work focussed primarily upon natural subjects including landscapes, still lifes, and ornithological and zoological subjects. In the 1850s, influenced by John Ruskin and Hill's association with American followers of the Pre-Raphaelite Brotherhood, his attention turned from technical illustration toward still life and landscape.

Hill was the son of British aquatint engraver John Hill. He emigrated with his parents from London to the United States in 1819, initially living in Philadelphia. In 1822 the family moved to New York, where Hill apprenticed in aquatint engraving in his father's shop.

In 1838 Hill married Catherine Smith - their children included the astronomer George William Hill and the painter John Henry Hill.

In watercolor and aquatint engravings, Hill employed a stipple technique, building up planes of softly gradated colors made of tiny brushstrokes–a process commonly seen in painted miniatures. Applied to a larger scale on canvas the result was a form of objective realism in contrast with more common romanticized works of mid-19th century American painting. In 1829, at the age of 17, Hill began exhibiting watercolors and engravings produced in his father's studio at the Brooklyn Art Association and the National Academy of Design. In 1833, at the age of 21, Hill was elected to associate membership in the National Academy of Design.

In his early 20s Hill began work for the New York State Geological Survey, first creating a series of topographic studies and overhead views of principle American cities and towns. This work was distinct for its accuracy of arial perspective and recording minute architectural detail. These portraits of urban settlement required frequent travel to observe, sketch, and map before creating finished watercolor studies. The completed watercolors were then recreated as color lithographic art and published by the Smith Brothers, a New York City publisher.

Hill's work with the New York State Geological Survey continued later with his illustration of James Ellsworth De Kay's Zoology of New York State, or; The New-York Fauna. Part II, Birds published in 1844. Like John James Audubon's bird portraits, Hill's were painted with an objective eye, documenting accurate anatomy and colors, and capturing the animal's natural countenance.

While in his early 40s Hill read John Ruskin's Modern Painters, and became fascinated with the Pre-Raphaelite Brotherhood. The Pre-Raphaelite movement's combination of realism with increased emotional content appealed to Hill. Hill championed Pre-Raphaelite painting methods in the United States, but was less fascinated with their ideals. in 1863, with art critic Clarence Cook, geologist Clarence King, and architect Russell Sturgis, Hill helped to found the Society for the Advancement of Truth in Art. For the remainder of Hill's life he focussed upon landscapes, mostly of the mountainous areas of New England and New York state. Hill's paintings and engravings are found in the collections of the Brooklyn Museum, the Amon Carter Museum, Fogg Museum, the Hood Museum of Art, and the Metropolitan Museum of Art.

Tillbaka till början.