Was the most important member of an Augsburg family of artists and publishers. He was the German representative of the 'Vue d'Optique' , a genre of copper engravings showing in the size of this here shown print the architectural 'wonders of the world' to people mainly during fairs. The prints were pushed into a view box and the viewers, one at a time, could look through a lens to see the prints inserted into the box by the operator, for money, of course. There were French, Italian, Spanish, publishers of Vue d'Optique prints. But the most famous and the most true to facts ones came from the Augsburg workshop of G.B. Probst. He produced ca. 400 of them, not only views of places, but also a variety of other subject matters. While most prints of this genre were loudly and heavily colored, a small series was left black and white, truly showing their artistic value beyond the fulfilment of curiosity at fairs.
SURHON[IUS] [SURHONIO, SURCHON-], JEAN and JACQUES.
Cartographers, goldsmiths and engravers, b. Mons.
Bland arbeten.
Hainault 1548 (used by Ortelius 1579.
Hondius 1633).
Luxembourg 1551.
Namur 1553.
Artois 1554.
Picardy 1557 (used by Ortelius 1559).
Vermandois 1577 (used by Blaeu 1631).
Tooley.
1514-1589.
Fransk-nederländsk boktryckare, tryckte i Antwerpen från 1550 bl.a. liturgiska verk och en 'Biblia polyglotta' (8 bd, 1569). P. hade bl.a. en filialofficin i Leiden, som 1586 övertogs av svärsonen F. Raphelengh. P:s efterträdare i ANtwerpen blev hans svärson Jan Moerentorf (Moretus), under vars son, Balthasar Moretus (1574-1641), P. P. Rubens knöts till företaget. - P.-trycken (o. 1600 torde finnas) utmärka sig för vacker utstyrsel och praktiskt format samt stor noggrannhet i tekniken. Tryckeriet ägde bestånd i Antwerpen till 1876, då det inköptes av staden och blev Musée Plantin-Moretus.
Christophe Plantin ombesörjde efter 1579 utgivningen av Ortelius atlas 'Theatrum Orbis Terrarum'.
Bland arbeten.
Biblia polyglotta.
Svensk uppslagsbok.
Ingermanlandiae – Homanns Erben 1734
