1603-1664.
Silesian cartographer.
Bland arbeten.
Glatz 1626 used by Jansson 1636 & Blaeu 1640,
Silesia used by Jansson & Blaeu,
Breslau Jansson 1659.
Tooley.
Was the most important member of an Augsburg family of artists and publishers. He was the German representative of the 'Vue d'Optique' , a genre of copper engravings showing in the size of this here shown print the architectural 'wonders of the world' to people mainly during fairs. The prints were pushed into a view box and the viewers, one at a time, could look through a lens to see the prints inserted into the box by the operator, for money, of course. There were French, Italian, Spanish, publishers of Vue d'Optique prints. But the most famous and the most true to facts ones came from the Augsburg workshop of G.B. Probst. He produced ca. 400 of them, not only views of places, but also a variety of other subject matters. While most prints of this genre were loudly and heavily colored, a small series was left black and white, truly showing their artistic value beyond the fulfilment of curiosity at fairs.
1562-1622.
Plancius was a theologian and minister of the Dutch Reformed Church who fled with many of his compatriots from religious persecution in Flanders to settle in Amsterdam in 1585. There he became interested in navigation and cartography and, being fortunate enough to have access to nautical charts recently brought from Portugal, he was soon recognized as an expert on the shipping routes to India. He was interested, too, in the idea of a North East passage until the failure of Willem Barentsz's third voyage in 1597 seemed to preclude the possibility of such a route. In 1602 he was appointed cartographer to the new Dutch East India Company.
Although Plancius produced no atlases his individual maps and charts, over 100 in all, exercised much influence on the work of other cartographers at the turn of the century. His very large wall map of the world dated 1592 was of particular significance.
Stockholm - Mentzer ca 1860.
Dräktbild - Leksands socken.
