SÖK KARTOGRAFER, GRAVÖRER M.FL.

PAULSEN, OLAF HERMAN.

1862-1948. Född i Bergen, död i Oslo.
Norsk officer. Började studera 1882, blev officer 1889 och kapten i 'Bergenske Brigade' 1897. 1916 tog han avsked. Under åren 1895-99 var han mättekniker vid 'Norges Geografiska Oppmåling'. Till Norges jubileumsutställning 1914 utförde han ett par stora reliefkartor. Han var även målare och bildhuggare och deltog i flera utställningar och tävlingar. Under en tid ledde han Bergens konstförening.

ROSENSVÄRD, JOHAN SAMUEL.

Överstelöjtnant, guvernör. Född c:a 1782 död 1818.
Överstelöjtnant i flottan, sedermera guvernör på St. Barthélemy. Född i Stockholm 31 juli 1782, son till överstelöjtnant Carl Reinhold Rosensvärd [född Pettersén], död på Nevis i Västindien 10 december 1818. Verksam inom Sjömätningskåren, bl.a. under dess karteringar av västkusten 1803-1805. Den 9 maj 1815 utsågs majoren vid arméns flotta, 33-årige Johan Samuel Rosensvärd till överstelöjtnant och disktriktschef. Vid detta tillfälle kom meningsskiljaktigheter rörande utnämningen i dagen. Sista levnadsåret guvernör på S:t Barthelemy. Gift med Kristina Sofia Apelqvist, avliden ej långt efter maken i Gustavia på S:t Barthelemy. Deras son Johan Henrik föddes på S:t Barthelemy 13 oktober 1813. Han återfördes till Sverige av släktingar och genomgick en framgångsrik karriär, rikt dekorerad med utmärkelser, och var krigsminister då St Barthelemy återfördes till Frankrike.

Se vidare Sveriges Sjökarta, Dahlgren - Richter, Stockholm 1944 sid 120.
I samma arbete beskrivs på sidan 252 o.s.v. utförligt om kartogr...
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Grundkarta Havstenssund 1803-1805
Grundkarta Fjällbacka 1803-1805

Tingbrand, Per – Who Was Who in St. Bartholomew during the Swedish epoch?Sveriges Sjökarta, Dahlgren - Richter, Stockholm 1944

Verden, Karl van.

Carl Van Verden (fl. c. 1718 - 1730) was a Dutch seaman in the employ of the Russian Navy during the early 18th century. Van Verden is best known for his important 1719 - 1721 mapping of the Caspian Sea, which was the most sophisticated and accurate that had been issued to date. A significant cartographic achievement, Van Verden's work on the Caspian led directly to Peter the Great's 1722 invasion of Baku and Derbent and Russian hegemony in the region. Despite his achievements in the Caspian, Van Verden was later passed up by the Tzar in favor of Vitus Behring for the commission to discover a Northeast Passage through the Russian Arctic.

Around 1718 the Russian Tzar, Peter the Great, sponsored a number of cartographic expeditions to the farthest reaches of his vast empire. Most of these were headed up by Dutch navigators, the most experienced and mercenary of the era. Carl Van Verden, a Dutch seaman, was commissioned as a Russian naval officer and assigned the task of mapping the Caspian Sea. Though we...
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Carte Marine de la Mer Caspiene.

Gulddistriktet Klondike - ca 1897.

'Scandinavia complecteus Sueciae Daniae & Norvegiae Regna'- ca 1750 - Hommanni.

HILL, JOHN WILLIAM

Biografiska uppgifter:(1812–1879) was a British born American artist working in watercolor, gouache, lithography, and engraving.
Hill's work focussed primarily upon natural subjects including landscapes, still lifes, and ornithological and zoological subjects. In the 1850s, influenced by John Ruskin and Hill's association with American followers of the Pre-Raphaelite Brotherhood, his attention turned from technical illustration toward still life and landscape.

Hill was the son of British aquatint engraver John Hill. He emigrated with his parents from London to the United States in 1819, initially living in Philadelphia. In 1822 the family moved to New York, where Hill apprenticed in aquatint engraving in his father's shop.

In 1838 Hill married Catherine Smith - their children included the astronomer George William Hill and the painter John Henry Hill.

In watercolor and aquatint engravings, Hill employed a stipple technique, building up planes of softly gradated colors made of tiny brushstrokes–a process commonly seen in painted miniatures. Applied to a larger scale on canvas the result was a form of objective realism in contrast with more common romanticized works of mid-19th century American painting. In 1829, at the age of 17, Hill began exhibiting watercolors and engravings produced in his father's studio at the Brooklyn Art Association and the National Academy of Design. In 1833, at the age of 21, Hill was elected to associate membership in the National Academy of Design.

In his early 20s Hill began work for the New York State Geological Survey, first creating a series of topographic studies and overhead views of principle American cities and towns. This work was distinct for its accuracy of arial perspective and recording minute architectural detail. These portraits of urban settlement required frequent travel to observe, sketch, and map before creating finished watercolor studies. The completed watercolors were then recreated as color lithographic art and published by the Smith Brothers, a New York City publisher.

Hill's work with the New York State Geological Survey continued later with his illustration of James Ellsworth De Kay's Zoology of New York State, or; The New-York Fauna. Part II, Birds published in 1844. Like John James Audubon's bird portraits, Hill's were painted with an objective eye, documenting accurate anatomy and colors, and capturing the animal's natural countenance.

While in his early 40s Hill read John Ruskin's Modern Painters, and became fascinated with the Pre-Raphaelite Brotherhood. The Pre-Raphaelite movement's combination of realism with increased emotional content appealed to Hill. Hill championed Pre-Raphaelite painting methods in the United States, but was less fascinated with their ideals. in 1863, with art critic Clarence Cook, geologist Clarence King, and architect Russell Sturgis, Hill helped to found the Society for the Advancement of Truth in Art. For the remainder of Hill's life he focussed upon landscapes, mostly of the mountainous areas of New England and New York state. Hill's paintings and engravings are found in the collections of the Brooklyn Museum, the Amon Carter Museum, Fogg Museum, the Hood Museum of Art, and the Metropolitan Museum of Art.

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