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Biografier.

Dankerts, Cornelis the elder.

1603-56
JUSTUS DANKERTS (son) 1635-1701
The Dankerts family, of whom the above were the most important, was very large and ramifying having had a lot of members who were active in engraving on an artistic level. In this short view, however, we are dealing mainly with those who took part in the atlas production.
The family’s roots can be traced back to Cornelis Danckerts (1536-1595), a carpenter in Amsterdam. From his marriage with Lijsbet Cornelisdr two sons are known: Cornelis Danckerts de Rij (1561-1634) and Danckert Cornelisz (ca. 1580-1625). Cornelis and his descendants called themselves Danckerts de Rij. Danckerts Cornelisz who is at the root of the line we are now interested in was first a skipper then a stone merchant. He married Lijstbeth Jansdr, shortly after the turn of the century. Several members of his branch were well-known engravers-etchers, mapmakers and printsellers (Keuning, 1955). Danckert Cornelisz had two sons: Cornelis Danckerts (1603-1656) and Dancker Danckerts (1614-?).
Cornelis the elder brother established himself as
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HILL, JOHN WILLIAM

(1812–1879) was a British born American artist working in watercolor, gouache, lithography, and engraving.
Hill's work focussed primarily upon natural subjects including landscapes, still lifes, and ornithological and zoological subjects. In the 1850s, influenced by John Ruskin and Hill's association with American followers of the Pre-Raphaelite Brotherhood, his attention turned from technical illustration toward still life and landscape.

Hill was the son of British aquatint engraver John Hill. He emigrated with his parents from London to the United States in 1819, initially living in Philadelphia. In 1822 the family moved to New York, where Hill apprenticed in aquatint engraving in his father's shop.

In 1838 Hill married Catherine Smith - their children included the astronomer George William Hill and the painter John Henry Hill.

In watercolor and aquatint engravings, Hill employed a stipple technique, building up planes of softly gradated colors made of tiny brushstrokes–a process commonly seen in painted miniatures. Applied to a larger scale on canvas the result was a form of objective real
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Geelkercken, Nicolaes van.

fl 1610-1635.
Nicolaes van Geelkercken, one of the lesser-known figures of the highly productive Dutch period at the beginning of the seventeenth century, was active as an engraver, cartographer and publisher in Leiden, Amsterdam and Arnhem. He was later become the Surveyor of Gelderland.
His earliest known work is a world map of 1610. His second world map published by Janssonius in Amsterdam, in the second state with the addition of Le Maire’s Strait.

Engraver, cartographer, publisher active in Leyden, Amhem and Amsterdam in the early years of the seventeenth century. His maps, though few in number, were particularly elegant.
Bland arbeten.
World map 1610 / 1618.


Sotheby's



Ingermanlandiae – Homanns Erben 1734



'Charta öfver Nerike...' - Lantmäteri Contoret ca 1770.


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MÜNSTER, SEBASTIAN.

Biografiska uppgifter:1489-1552.
Tysk kosmograf. Född i Ingelheim i Hessen, död i Basel. Studerade matematik, teologi och klassiska språk i Heidelberg och Tübingen. Blev senare fransiskanermunk och föreläste vid olika läroanstalter tills han 1529 utnämndes till professor i hebreiska vid universitetet i Basel. Münster bedrev ett betydande författarskap och hade rykte om sig som den tidens mest lärde, speciellt när det gällde hebreisk litteratur. I hans klassiska studier hade även matematik och kosmografi en naturlig plats. Hans första geografiska verk, som publicerades 1530, var ett band med upplysningar till en nyutgåva av en gammal Tysklandskarta, utarbetad av kardinal Nicolas Cusanus (se denne). 1532 slutförde han ett större kartverk: 'Typus Cosmographicus Universalis'. Senare följde 'Geographia Universalis, Vetus et Nova', (5 utgåvor 1540-52) och 'Cosmographia, Beschreibung aller Lender' (1544, och en rad senare utgåvor). Böckerna är rikt illustrerade med kartor, stadskartor och andra textillustrationer i träsnitt. Det är framförallt dessa verk som har gjort att hans namn är känt ända fram till vår tid. Idag verkar hans kartor i högsta grad primitiva och kuriösa, men de många utgåvorna visar att man då förstod och värdesatte Münsters verk. Slutligen kan nämnas att han var den förste som utarbetade särskilda kartor över de fyra då kända världsdelarna.

Studied mathematics, theology and classical languages in Heidelberg and Tübingen. His first geographical work was published in 1544, and two years later he completed a larger work, Cosmographiia umversalis. This, like Münster's later books, contained a large number of maps including city maps. Today they appear extremely primitive and somewhat strange, but he was much respected in his own time
Bland arbeten:
Typus Cosmographicus Universalis.
Geographia Universalis, Vetus et Nova.
Cosmographia, Beschreibung aller Lender.
(Allg. d. Biogr. - Bagrow. Sveriges sjökartor - A. Hedin.)

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